Fresh off the bench Blackwood/spruce classical (PIC HEAVY)

[Steve.Toscano]

Recently completed Zenith model Classical for 'stock'.

Soundboard: Spruce
B&S: Tasmanian Blackwood
Neck: Australian Cedar
FB: Ebony
Bridge: Brazilian Rosewood
Rosette: Tassie blackwood
Tuners: Schaller Grandtune
Finish: Thin Semi gloss nitro

Has my typical sound - huge and very responsive.

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[martintaylor]

Nice work Steve! Love the blackwood.

[Dave M]

Nice crisp work Steve. The blackwood is indeed lovely.

I particularly like your heel shape. That is the style that I used to aim for but unfortunately since I now always do cutaways I'm stuck with a rather formless round shape. But I love the access to the upper frets.

What bracing are you using? And have you decided on a particular layout?

Dave M

[lamanoditrento]

Very nice Steve. What have you done with the 7th fret marker?

[Steve.Toscano]

Nice crisp work Steve. The blackwood is indeed lovely.

I particularly like your heel shape. That is the style that I used to aim for but unfortunately since I now always do cutaways I'm stuck with a rather formless round shape. But I love the access to the upper frets.

What bracing are you using? And have you decided on a particular layout?

Dave M

Thanks for the kind words Dave.
The inspiration for my bracing setup was based on a 1937 Hauser plan, but i've modified the positioning and made it asymmetrical with a slanted lower transverse. It's since ended up more like a 7 fan Fleta design then a hauser - but yet still very different.
Here's an early iteration of it (about 45 guitars ago), it has changed slightly since this photo.

Toscano Bracing 12.jpg (88.45 KiB) Viewed 15052 times

Very nice Steve. What have you done with the 7th fret marker?

Thanks Trent,
See below poor quality phone pic
It's my usual bone and veneers setup.

2019-04-15 22.41.31.jpg (147.54 KiB) Viewed 15053 times

[kpcart]

Nice guitar, what about back bracing? I find that just as important to the sound as the top, they have to speak with each other. I'd probably use 4 braces instead of 3 on blackwood from the sets I've got, but haven't used that timber yet.

[Steve.Toscano]

I do 3 transverse back braces and 4 star braces as per Trevor Gore. All my classicals are done this way.
For flamencos i leave the star braces out and space the trans braces equally.
I did do one non live back classical with 4 trans braces which turned out great. It was indian rosewood and was done this way as the customer requested a non live back.