uke builds two, three and four
Posted: Sun Nov 30, 2014 2:32 pm
Hi all
It has been a while between drinks, in fact over a year since I posted my first build. I managed to get into the shed and build these 3, one after the other. I made so many mistakes on each of them, I wouldn't be able to list them all, but came up with fixes. The mistakes will be obvious to you guys, but I don't care as I am still learning. They are all braced differently or are different in some way, but they all sound pretty much the same, which surprised me a bit. My first build made from native olive and spruce is the only one that sounds appreciably better, due to the spruce I think.
Number one is an all Blackwood with ebonised Silkyoak bindings, Qld maple neck and abalone rosette.
Number two is a Tiger Myrtle with Douglas Fir soundboard (I think), maple bindings, abalone purfling and Silkyoak neck.
Number three is Cocobolo with a blackwood soundboard, unknown bindings and rope purfling, Silkyoak neck.
All finished in tru-oil, all Tenors.
Time to move onto some guitars now, I have had Trevor and Gerards' book for over a year now, so time to put them to good use.
Cheers
Col
It has been a while between drinks, in fact over a year since I posted my first build. I managed to get into the shed and build these 3, one after the other. I made so many mistakes on each of them, I wouldn't be able to list them all, but came up with fixes. The mistakes will be obvious to you guys, but I don't care as I am still learning. They are all braced differently or are different in some way, but they all sound pretty much the same, which surprised me a bit. My first build made from native olive and spruce is the only one that sounds appreciably better, due to the spruce I think.
Number one is an all Blackwood with ebonised Silkyoak bindings, Qld maple neck and abalone rosette.
Number two is a Tiger Myrtle with Douglas Fir soundboard (I think), maple bindings, abalone purfling and Silkyoak neck.
Number three is Cocobolo with a blackwood soundboard, unknown bindings and rope purfling, Silkyoak neck.
All finished in tru-oil, all Tenors.
Time to move onto some guitars now, I have had Trevor and Gerards' book for over a year now, so time to put them to good use.
Cheers
Col