J.F. Custom "Von Trott" model Bouzouki
Posted: Sun Oct 31, 2010 8:10 pm
Hi All.
Well this one has been a long time coming, but I finally have the monkey off my back. A pleasant monkey, but monkey nonetheless. I have worked on aspects of this instrument over a few years - a spare hour here and there when possible. It's a model I dreamed up several years ago and refined/modified over that time on paper and on the fly during construction. I bit like Nick, I tend to go with new whims and ideas to try, even though it makes it difficult to pinpoint success or failure to any one thing. Amongst several challenges I set myself, this time, I decided to try using an Ibex hand purfling cutter to do the purfling and binding. Very meditative; should your version of meditation include profuse sweating and the occasional expletive. Needless to say, I will be using the router jig again next time! How fortunate we are. I am pleased with the outcome although taking this long to construct has its hazards - it is not 100% flawless as a result, then again, what is, but I am very happy nevertheless.
What I am really impressed by is the sound! It has delivered what I hoped in that respect - full, rich, resonant, defined and sustains like nothing else! I would 'tweak' the design a little on the next build, as to be expected in further attempting to improve results. On that note - I sincerely look forward to building the next one; I'm excited about this little unit. I hope to get a recording but don't hold your breath unfortunately - I simply don't know anyone that plays that is available.
Oh, and btw, the 'Von Trott' model comes from a good friend saxophonist/mando player that shares an aspect of the name. It was he I originally inspired to make it for however, he has run off overseas to travel and make music in Europe with some young lass of similar whim whom he is to marry there... as you do. There goes my recording artist! Selfish pr.... Anyway, so while it is no longer for him, I kept the name.
The specs - This unit has a 22" Scale length; Highly Figured Blackwood back and sides; Sitka top; 50yr old Qld Maple neck, Ebony fretboard and bridge; Bone nut and saddle; Blackwood bindings, back graft and heel cap with Silver Ash purfling detail; tiled Ring Gidgee and Mulga - segmented and staggered rosette with matching 12th fret inlay; Schaller machine heads, tuned GDae. That should cover it. Any questions?
One thing I did on the tail graft - I didn't want the binding running right over the graft or vice versa as I wanted the grain to "integrate" as best as possible. Therefore I cut the graft and the bindings angled to all meet at a single point. Very happy with the result. And you've just got to love the chatoyance/play of light that figured blackwood exhibits - look at it end on and the pieces blend virtually seemlessly. Side on however and they completely change visually to make quite clear the joinery.
Sorry some of the images are a little blurry.
Thanks for looking.
Jeremy.
Well this one has been a long time coming, but I finally have the monkey off my back. A pleasant monkey, but monkey nonetheless. I have worked on aspects of this instrument over a few years - a spare hour here and there when possible. It's a model I dreamed up several years ago and refined/modified over that time on paper and on the fly during construction. I bit like Nick, I tend to go with new whims and ideas to try, even though it makes it difficult to pinpoint success or failure to any one thing. Amongst several challenges I set myself, this time, I decided to try using an Ibex hand purfling cutter to do the purfling and binding. Very meditative; should your version of meditation include profuse sweating and the occasional expletive. Needless to say, I will be using the router jig again next time! How fortunate we are. I am pleased with the outcome although taking this long to construct has its hazards - it is not 100% flawless as a result, then again, what is, but I am very happy nevertheless.
What I am really impressed by is the sound! It has delivered what I hoped in that respect - full, rich, resonant, defined and sustains like nothing else! I would 'tweak' the design a little on the next build, as to be expected in further attempting to improve results. On that note - I sincerely look forward to building the next one; I'm excited about this little unit. I hope to get a recording but don't hold your breath unfortunately - I simply don't know anyone that plays that is available.
Oh, and btw, the 'Von Trott' model comes from a good friend saxophonist/mando player that shares an aspect of the name. It was he I originally inspired to make it for however, he has run off overseas to travel and make music in Europe with some young lass of similar whim whom he is to marry there... as you do. There goes my recording artist! Selfish pr.... Anyway, so while it is no longer for him, I kept the name.
The specs - This unit has a 22" Scale length; Highly Figured Blackwood back and sides; Sitka top; 50yr old Qld Maple neck, Ebony fretboard and bridge; Bone nut and saddle; Blackwood bindings, back graft and heel cap with Silver Ash purfling detail; tiled Ring Gidgee and Mulga - segmented and staggered rosette with matching 12th fret inlay; Schaller machine heads, tuned GDae. That should cover it. Any questions?
One thing I did on the tail graft - I didn't want the binding running right over the graft or vice versa as I wanted the grain to "integrate" as best as possible. Therefore I cut the graft and the bindings angled to all meet at a single point. Very happy with the result. And you've just got to love the chatoyance/play of light that figured blackwood exhibits - look at it end on and the pieces blend virtually seemlessly. Side on however and they completely change visually to make quite clear the joinery.
Sorry some of the images are a little blurry.
Thanks for looking.
Jeremy.